662
冷 軍(b.1963) 匙叉變奏曲 紙本 丙烯
2000年作
簽名：冷軍 2000.元
出版：《江蘇畫刊》2010年第6期，江蘇美術(shù)出版社。
說明：本作品經(jīng)畫家本人確認(rèn)為真跡。
LENG JUN(b.1963)
THE PARTITA OF SPOONS AND FORK
Acrylic on paper
Dated 2000
Description: signed in Chinese and dated.
Illustrated: Jiangsu Pictorial, Jiangsu Fine Arts Publishing House, issue 6, 2010.
Note: it’s an authentic work confirmed by the artist.
45×18cm
RMB: 80,000-120,000
I just feel sketch is a simple way. Face to the scene then pick up a pen to draw, that’s all. I really need such feeling, because it’s totoally different from the former way. A piece of artwork finished from concept design to detail making, needs a process of a transition from sensitivity to rationality. In contrast, sketch is pure and relax. It’s the status that a real artist should own.
Generally speaking, artwork is a conception including the meaning of creation. Indeed, sketch attaches something with exercise, maybe we always consider it’s just a kind of practice. However, the miracle of art history tells us it’s not unusual a piece of sketch work become artwork. Acually there are no need to confuse with these problems, anyone has some to face and solve. When confronting the objects, i certainly want to make progress in details. For instance, as for the expression of light or color, I will analyze the past and the modern artists, then combine with my own experiences to settle problems. Whatever the Super Realism or the free hand sketch, the crucial point is the feeling of artists. The former is when i am in a relatively rational situation, i enjoy it peacefully; but sketch is under the blazing sunshine outdoor, it makes me excited.
As an artist, intuition is more important than thought. I always believe that sketch time is the best status of the artist.
-Walk out of empty-Talk with Leng Jun about Sketch
冷軍，1963年生于四川。1984年畢業(yè)于武漢師范學(xué)院漢口分院藝術(shù)系?，F(xiàn)任武漢畫院院長(zhǎng)，國(guó)家一級(jí)美術(shù)師，湖北省美協(xié)副主席，中國(guó)美術(shù)家協(xié)會(huì)會(huì)員，享受國(guó)務(wù)院政府專家特殊津帖。其作品多次參加國(guó)內(nèi)外大展，數(shù)次獲全國(guó)美術(shù)展各大獎(jiǎng)項(xiàng)，多為國(guó)內(nèi)外藝術(shù)機(jī)構(gòu)及私人收藏。
主要藝術(shù)活動(dòng)：
1991年 “建黨七十周年全國(guó)美術(shù)展”，獲銅獎(jiǎng)。
1992年 “中國(guó)廣州藝術(shù)雙年展”，獲優(yōu)秀獎(jiǎng)。
1993年 “93中國(guó)油畫年展”，獲銀獎(jiǎng)。
1994年 “第二屆中國(guó)油畫展”，獲藝術(shù)作品獎(jiǎng)。
“中國(guó)油畫百年展”。
1995年 “95中國(guó)油畫年展”，獲金獎(jiǎng)。
1996年 “首屆中國(guó)油畫學(xué)會(huì)展”。
1999年 “第九屆全國(guó)美術(shù)作品展”，獲金獎(jiǎng)，同時(shí)獲日中友好會(huì)館大獎(jiǎng)。
2000年 “1979－1999世紀(jì)之門邀請(qǐng)展”。
“冷軍個(gè)展”，深圳。
2001年 “首屆中國(guó)小油畫大展”，獲藝術(shù)作品獎(jiǎng)。
2002年 “中國(guó)油畫百年展”。
2003年 “北京國(guó)際藝術(shù)雙年展”。
“第三屆中國(guó)油畫展”。
2004年 “第十屆全國(guó)美展”，獲優(yōu)秀獎(jiǎng)。
“冷軍、楊金星畫展”。
“冷軍新作展”。
Leng Jun was born in Sichuan Province in 1963, graduated from Department of Art of Wuhan Normal University in 1984, where he is currently the Vice-Dean. He is the member of Chinese Artists Association, member of China Oil Painting Society, the National First-class Artist. Awards: The Silver Medal in“The 2nd Annual Exhibition of Chinese Oil Painting”, 1993; The Gold Medal in “The 3rd Annual Exhibition of Chinese Oil Painting”, 1995; The Gold Medal in “The 9th National Fine Arts Exhibition”, 1999; The Excellence Prize in “The 10th National Fine Arts Exhibition”, 2004. He participated in “Gate to Century: 1979-1999 Chinese Art Invitational Show”, Shenzhen, 2000; “The 3rd Chinese Oil Painting Exhibition”, 2003, and held Solo Exhibition in Guangdong Art Museum in 2005
